Cameretten

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Every theater season for 59 years, Cameretten Festival has been looking for the new cabaret talent from the Netherlands and Flanders. The three acts, who managed to reach the final in the Royal Theater in The Hague, can now present themselves in many theaters in the country.

Make sure you are there, because this is the new generation of comedians who will be storming all Dutch theaters in the coming years! Hilarious jokes, recognizable characters, awkward sketches and musical gems: Everything is possible during the finalist tour. Buy a ticket, because with this you support the development of cabaret talent in the Netherlands!

Many well-known comedians have emerged from the Cameretten breeding ground, such as Brigitte Kaandorp, Theo Maassen, Richard Groenendijk, Jandino Asporaat, Patrick Laureij, Plien & Bianca, Daniël Arends, René van Meurs, Ronald Goedemondt, Guido Weijers and many more.

On stage with us are Jannes Laven, Jorn van Dam and Maaike Dirkje Hop:

Jannes Laven – Without a doubt

Oh man, don't act like that, you're not a girl after all. With a good dose of self-mockery, Jannes Laven makes a frank plea for radical softness in an increasingly hard world. A dynamic performance about

contradictions, vulnerability and being yourself, without a doubt. Or well, maybe a little bit.

Jorn van Dam – That's how it goes

Jorn was born in 1993 in Schermer, North Holland, as the third child of a group of caregivers. As a child he was strange-looking, and he grew up to be a strange-looking young man – tall and lanky, with a figure like a crane fly. At a young age he struggled with a bad illness and later in life with himself. Nowadays things are going well again and he is a stand-up comedian. That's how it goes.

Maaike Dirkje Hop – Recognition, the musical

Maaike Dirkje Hop makes cabaret for everyone who feels morally superior by purchasing a heat pump. She works best on larger stages, but for Cameretten (she calls it 'an artistic break') she makes an exception with Erkenning, the musical: for everyone who feels structurally unsafe, unseen or unheard. Fortunately, Maaike, in her progressive compassion, is happy to sacrifice herself for it

collective and plays the leading role herself.